Christopher Paolini at the Dallas Museum of Art

Right now, Christopher Paolini is having his last book tour for the Inheritance Cycle. He has recently published the deluxe edition of the final book in the series (which includes a great deal of goodies, including artwork of Shruiken and extra content) and he is going on a book tour to promote this version. Fortunately for me, one of his first stops happened to be at the Dallas Museum of Art.

I found out about his appearance, so close to where I live, via an email from the museum. I immediately called all of the Eragon fans I knew and purchased my ticket. When the day came for the event, my close friend Andrew and I drove up to Dallas, both of us definitely fangirling as we awaiting the beginning of the event. Both of us are aspiring writers and big Eragon fans, so it was a very exciting prospect for us.

The fans present filled a small auditorium that seated about three hundred or so and nearly all attendees were under fourteen or the parents of those kids, but that didn't put a single damper on the event, nor did Paolini let that dictate how he presented himself and his material in the slightest.

Christopher Paolini, author of the Inheritance Cycle series, was home schooled and graduated at the age of fifteen. Following his graduation, he tells us he was extremely bored. Not having schoolwork was fun for about two weeks and then he realized there was now nothing for him to do. After digging himself a nine by nine foot hole in his backyard and fashioning it into a Viking Mead Hall, he realized he needed to focus his efforts on something worthwhile. He chose to write the kind of fantasy novel he enjoyed reading.

Andrew and I with our tickets.

So Christopher Paolini set to work creating Eragon, the first in the series of four rather large books, and finished it within the year. Then he went back to read his work for the first time . . . and marveled at how terrible it was. It was so bad, he told us during his time onstage, that the main character's first name wasn't even Eragon. It was Kevin. And, to be honest, who would have read the tale of Kevin the Dragon Rider?

Instead of giving up, Paolini went through the tedious process of editing and rewriting the first draft, as all authors must. From that came the book we all know and love. When it was complete, the Paolini's chose to self-publish. Christopher's sister, Angela (inspiration for the character of the same name in the series) drew up the cover while he drew the map and eye that remain in each printing of the book to date, while his parents helped him self-publish and draw attention to the book through numerous events and engagements they secured for him. In order to garner attention during that time, he often attended those engagements in medieval clothing consisting of knee-high boots, a red pirate shirt, and similar items of clothing.

After a Q&A forum, during which he confirmed plans for further books set in Alagäesia and the fact that his current novel is sci-fi, he gave a few tips for aspiring authors that I took notes on and will share here:

-Good readers are good writers. Read as much as you can. The things you don't like can help improve your writing just as much as the things you do, even if it's only showing you what you shouldn't do.

-Learn as much as you can about the English language. The more you know about spelling, grammar, and writing in general, the better you'll be able to communicate what's in your head to your audience.

-Write about whatever it is that you care about most. If you aren't interested in what you're writing, you won't do a very good job at it and writing won't be nearly as enjoyable. Even if what you care about isn't that popular, there are a lot of people on this planet and there are bound to be plenty of people who will find what you love just as cool as you do.

-Write EVERY DAY. It keeps you in practice and helps you maintain your relationship with the material so that writing will come easier to you than if you write once a week and have to take the time to get back into the world of what you're writing every time you sit down to it. "Persistence beats out talent almost every time," he reiterated. If you keep putting it off, you'll never finish. Writing every day keeps you focused on finishing what you've started.

-Have fun. If writing isn't enjoyable to you in the slightest, you're probably pursuing the wrong thing. Enjoy what you're doing and do it well.

My signed copies of Eldest and Inheritance.

Overall, it was a wonderful event and Christopher Paolini is really quite an engaging speaker. I loved hearing everything he had to say. He's quite friendly and very relatable. Afterward, he signed books for everyone. I brought Eldest and Inheritance for him to sign and he seemed rather excited about the fact that I had purchased the European editions, which was pretty cool for me.

Christopher Paolini is a master when it comes to the skill of writing and I definitely suggest his books to anyone looking for a fantasy that will keep you hooked from beginning to end. He's a pro at his trade and a wonderful person, definitely worth seeing if he tours in your area. I'm incredibly thankful he came to Dallas and grateful that I had the opportunity to see him.

I Am Scout by Charles J. Shields

A perceptive newspaper reporter had remarked that To Kill a Mockingbird "is written out of Harper Lee's love for the South and Monroeville but it is also the story of a father's love for his children and the love they gave in return.

I don't remember what year in school I was assigned to read To Kill a Mockingbird, but I do remember it becoming an immediate favorite. For quite a few years, it held the ranking of my absolute favorite book and even now it continues to stand stall among many other books that have been claimed as favorites of mine. It definitely holds a special place in my heart.

So when I spotted I Am Scout: The Biography of Harper Lee on display in my local Half-Price Books store, I was drawn to it. Of course I would want to read the biography of Harper Lee! Plus it had a typewriter on the cover, so there was no denying that I needed this book. Thankfully, my dad had already agreed to get me a book while we were there. You can rest assured that I was grinning from ear to ear as I walked out of the store clutching this book.

I wasn't disappointed. Before I read this book, I honestly knew next to nothing about the author of To Kill a Mockingbird, which is frankly unacceptable--at least in my book. I love knowing as much as I can about the authors I admire and I feel like that curiosity was sated by the reading of this lovely book.

Charles J. Shields does a spectacular job in answering all the questions a body could have about the much-loved author whose sole novel is a classic and continues to be read by thousands of students every year. I finished this volume feeling like every question I had was answered. Shields handled his material perfectly and with such an interesting and much-loved character as Nelle Harper Lee, that was absolutely necessary.

I have so much admiration for Nelle Lee and truly enjoyed the experience of finding out more about her and her creative processes, as well as the events and occurrences that shaped her into the woman she became. In many ways, I see her as a role model. She is the type of person who is exactly who she wants to be and is entirely unapologetic when it comes to being who she is.

All in all, I really enjoyed reading this book. It was very well-written and put together. If you enjoyed To Kill a Mockingbird or just want to know more about Harper Lee, you should definitely pick up this book. It's certainly worth a good read.

Rating: ♥ ♥ ♥ ♥

Poking out from the branches was a white envelope addressed "Nelle." Inside was a note: "Dear Nelle, You have one year off from your job to write whatever you please. Merry Christmas."
"What does this mean?" she asked.
"What it says." They told her to total up what it would cost for a year to stay home and write full-time. The sum was their gift.
Several seconds passed before she found her voice. "It's a fantastic gamble. It's such a great risk."
Michael smiled. "No, honey. It's not a risk. It's a sure thing."

LeakyCon Lit 2012

Maureen Johnson, Lev Grossman, Stephanie Perkins, Robin
Wasserman, Megan Whalen Turner, and John Green
discussing Boy Books & Girl Books and whether there is
such a distinction.

This past week I had the privilege of being able to attend LeakyCon, a Harry Potter convention that was held in Chicago, Illinois, this year. The convention was fantastic and gave my brother and I the opportunity to meet plenty of others for whom the Harry Potter series has been a treasure and somewhat of an obsession.

One part of the convention that I was very excited about was LeakyCon Lit. LeakyCon Lit is a particular set of panels and events that only those with Rockstar or Lit passes can attend. Headed up by Maureen Johnson, LeakyCon Lit gave those who signed up for it the opportunity to sit in on panels between a select number of Young Adult authors who were scheduled to appear, as well as receive the chance to talk with them or go to signings.

These panels proved to be both informative and highly entertaining. The authors assembled were an eclectic and intelligent bunch that, for the most part, know each other well and deeply enjoy discussing the finer points of books and their own work in the literary field.

Because I enjoyed this particular part of the convention, I thought I would give y'all a little rundown of the panels and what I learned from them. So here we go:

Come to this Panel if You Think You Hate Romance
I don't happen to be a hater of romance, but I thought this would be an interesting panel to attend and it was. The panel was made up of Stephanie Perkins, Laini Taylor, Daniel Ehrenhaft, and Margaret Stohl.  We learned that most romances that people hate are the campy ones with overused phrases and gag-worthy dialogue. When a romance is fresh and new, there is something that draws you to it. Everyone enjoys a good love story, it just has to be done right.

Notable quotes from this panel: 
"Romantic love is the closest thing to magic that we have in real life." -Stephanie Perkins
"Literature is escape, but it's also emotional truth." -Daniel Ehrenhaft

Bad Books and Why We Love Them
In this panel, we discussed what makes a book bad and whether or not we really have the authority to label a book "bad" or not. John Green, Holly Black, Margaret Stohl, Robin Wasserman, Megan Whalen Turner, and Maureen Johnson went back and forth on the difference between books with bad writing, books with bad morals, and books that were so off-the-wall terrible that they turned around and became favorites because of how hilarious it made them.
One very interesting point that was brought up was the fact that we should do our best not to be sticklers about what others are reading because they're doing just that: reading. We should be doing our best to encourage that, even if we aren't very fond of their book choices. Instead of bashing the ones they're already into, we can suggest our own favorites and let them make the choices from there. We don't want to discourage others from reading, and chances are they'll find the really good books on their own if you let them wade around in the water a bit.

Boy Books and Girl Books
This panel may have been the most interesting I attended all week. Hearing from Megan Whalen Turner, Robin Wasserman, Stephanie Perkins, Lev Grossman, John Green, and Maureen Johnson on whether or not there really is much of a distinction between girl books and boys books was simply intriguing.

John Green & Maureen Johnson at a signing. He looked up
just as I took the picture. He wasn't actually glaring at me.
Haha. :P

As an aspiring YA author, I was fascinated and horrified to learn more about the sexism involved in the  book industry: both buying and selling. For years we have been operating under a system where "boy books" are normal books and "girl books" are chick lit. Why is that? What really separates the two? Why are girls encouraged to read whatever we can get our hands on, while boys are told that only these books over here are acceptable?
It isn't fair. Not to authors, not to boys, not to girls. This stigmatizing of certain literature causes boys to think there's something wrong with them if they want to branch out from "boy books" and causes female authors to be set aside in favor of male authors because it's unthinkable that a woman could write something that would interest a man.
Stephanie Perkins referred to an incident when she worked at a bookstore in which a father actually put Harry Potter back on the shelf though his son wanted to read after she casually mentioned that J.K. Rowling was a woman. He actually said "She?" and placed it back on the shelf as if it were suddenly detestable because of the gender of its author.

Notable quotes from this panel:
"I'm not kidding. I would've punched you and then I would've called you a liar, and I would've set fire to your house." -Maureen Johnson [describing her reaction if someone would have told her that she would be writing "girl books" when she was in high school]

Ten Things You Didn't Know About Every Single Harry Potter Novel
This panel was open to everyone, not just those attending LeakyCon Lit. John Granger, known for his in-depth analysis of the Harry Potter book series gave a series of lectures on Christian symbolism, postmodern morality, ring composition, and many other literary devices implemented in J.K. Rowling's books. I only attended one, but it was simply mind-blowing.
Honestly, I walked out of the room both dying to write and never wanting to pick up a pen again, because how could I even come close to the masterful work Rowling did in her series?
Theres no way I can rehash what I learned in only an hour of his class, but I can suggest getting any of his books. If those lectures are any indication, the man is brilliant and should certainly be heard by as wide of an audience as can comprehend what he has to say.
I will definitely be keeping an eye out for his books and now have even greater respect for one of my favorite authors, J.K. Rowling, for her masterful work.

I Was a Teenage Writer
Maureen Johnson is always telling those who want to be authors that one of the key factors is to "learn to let yourself suck". By that, she means that no one is great from the beginning and sometimes you have to put out a lot of bad writing in order to improve enough to make something great. In this panel, John Green, Margaret Stohl, Holly Black, and Kate Schafer Testerman supported her statement by producing some work they created in their teenage years. The result was hilarious. Needless to say, many were comforted by the end of the meeting. They saw how far these authors had come in only a decade or so and knew that if they worked at it, they would likely be able to do the same.

Ask Me Anything: Book Editors
My brother and I chose to attend this panel last minute, but it was definitely worth it. In fact, the panel convinced him to consider becoming a book agent because of how excellent the job sounded and how much the agents present were passionate about what they did.
Rebecca Sherman, Jennifer Laughran, Kate Schafer Testerman, and Daniel Ehrenhaft answered questions that ranged from "What does your job entail?" to "Should I follow book trends and try to produce something along those lines?" Hint (on the second question): a book is generally bought three or four years in advance of it being put on the shelf, so unless you can predict the future, you won't have much luck trying to ride on the coattails of current trends.

My LeakyCon swag. It includes 3 new books I can't wait to
read: Hacking Harvard by Robin Wasserman; Geektastic by
Holly Black and Cecil Castelliucci; and Wizards, Wardrobes
and Wookies by Connie Neal.

Overall, it was a fantastic experience and I'm so glad I got to be a part of it. I look forward to attending more book events in the future and learning even more about the books and craft I adore so much.

I would go again in a heartbeat.

Conversations on Writing Fiction by Alexander Neubauer

"I think we can begin from the assumption that storytelling is vital to human health. It gives us workable metaphors for our lives." -Clarence Major


In Conversations On Writing Fiction, Alexander Neubauer gives us thirteen interviews he conducted with thirteen fiction writers that also happen to teach fiction writing. The result is an anthology of teachers who know what they're doing, spilling their tactics on how to encourage those who are trying to do something or achieve more with their writing. Each of these teachers comes from a different background, touts a different writing/teaching style, and comes at the writing of fiction from a completely different angle.

I had a little trouble getting through this book, but not because the material was particular disinteresting or difficult. For the most part, I really enjoyed it. I simply tend to have trouble following through with collections of separate works. For some reason, they always take me much longer than other types of books.

Even still, I feel like this book had a lot to offer on the front of improving my writing. I always enjoy learning from a new perspective, particularly when it comes to a subject I love as much as writing. The different perspectives were extremely helpful and gives the reader the opportunity to see each part of the idea of fiction in a new light.

I would suggest this book to anyone who wants to be a writer/teach writing, particularly anyone who might be thinking about taking classes or workshops in that area of study. It covers different methods of teaching that would be beneficial for particular students and is a good place to start when considering what one must do to improve their own work.

Rating: ♥ ♥ ♥


"Writing is like working out; you have to build up to your capacity and then go beyond that. And you have to keep doing that, again and again." -John Irving

J.K. Rowling: The Wizard Behind Harry Potter by Marc Shapiro

"I was sitting on the train, just staring out the window at some cows. It was not the most inspiring subject. When all of a sudden the idea for Harry just appeared in my mind's eye. I can't tell you why or what triggered it. But I saw the idea of Harry and the wizard school very plainly. I suddenly had this basic idea of a boy who didn't know what he was," [Joanne] said in a School Library Journal conversation.


J.K. Rowling: The Wizard Behind Harry Potter is an unauthorized biography of the woman who created the series that capture the minds of a generation. In 2000, Shapiro gathered together the information garnered from interviews with the press and similar sources, and this was the result of his effort.

This short and sweet biography covers all the basics. From Joanna's early childhood to the point at which this book was published, we get to see a detailed synopsis of what her life was like and what inspired her to write about the Boy Who Lived.

This biography was a little over one hundred pages, a book one could read in a single sitting, and is filled to the brim with the basic information one might want to know about J.K. Rowling. The lives of authors and how they reached success in their lives always enthralls me and I enjoyed reading through the journey.

My only real complaints with this book are these:
1. There is an error on page seven. Shapiro states that the banks in Rowling's tale are run by owls. They are, in fact, run by goblins. Owls are used as messengers, not bank tellers.
2. Shapiro seems to over-romanticize Rowling's life and the stories within it. His use of language leaves you feeling like he is trying to play her up instead of simply giving the truth. He might want to tone it down a bit if he wants people to take his work more seriously.

By now, there is a more complete biography, I believe. This book was written just after Rowling had produced the fourth book in the Harry Potter series and the first movie was simply an idea. Perhaps he has fixed these errors since then. I suppose you can be the judge of that.

Rating: ♥ ♥ ♥


Every day she would put Jessica in her baby carrier and walk her around town until the child fell asleep. She would then head for one of a number of local cafés, where for the price of a cup of espresso and a glass of water, she could sit and write for a couple of hours while her daughter slept. Years later, Joanne would marvel at how much she had gotten done in those short periods of time.

This Year You Will Write Your Novel by Walter Mosley

Poets know that poems are songs, but few of us realize that novels are too.


This Year You Write Your Novel by Walter Mosley bears a tittle that is pretty self-explanatory. At the time of publication, the author had written twenty-seven books and decided it was about time he put out a guide to writing a novel in one year. So that is exactly what he did.

This book is very much like How to Write Science Fiction & Fantasy (which is to be expected, seeing as they have somewhat similar premises), only it was about general fiction and was actually shorter than Card's book.

Still, I found This Year You Write Your Novel to be largely informational and quite helpful. Mosley gives clear advice on things like creating character development as well as setting up routines that will help the writer develop his craft as best he can. His narrative is quick and to the point. He doesn't beat around the bush, but rather fleshes out exactly what it is every novel needs and every author ought to pay attention to.

I am very happy to have read this book and will definitely be trying out many of his tactics for keeping focused and determined in the near future. I would recommend it to anyone who is even thinking of writing a novel, whether their dream is to be a published author or it's just an idea. Some NaNoWriMo writers may want to skim this for a few good tips when November rolls around as well. *wink*

Rating: ♥ ♥ ♥


In order to be a writer, you have to set up a daily routine. Put aside an amount of time (not less than an hour and a half) to sit with your computer or notebook.

How to Write Science Fiction & Fantasy by Orson Scott Card

The second thing you should learn from my example is that ideas come from everywhere, provided that you're thinking about everything that happens to you as a potential story.

I picked up How to Write Science Fiction & Fantasy because I thought it would be a good book for writing advice and give me a little more insight into what it takes to write that genre. I'm mostly interested in fantasy, though I do like a good sci-fi novel, and I know my writing often sways in that direction as much as YA fiction.

This book covered all of it's bases. Card is very thorough in his teaching, going over everything from the difference between science fiction and fantasy to the technicalities of creating an entire world and the boundaries that must be decided and set for each one. There is an overwhelming amount of information concerning the audience an author in either of these genres would be catering to and how to navigate through the publishing of a book that isn't in one of the most common categories of writing.

Not only does this cover a great deal of information concerning science fiction and fantasy, but there was also a great deal of advice that could easily translate over to any other type of writing. Card coaches the reader concerning what drives your plot and how to make sure you're staying consistent with the story throughout the writing of it. He teaches how to be a better writer in general and even gives advice from one author to another on how to make sure you're keeping your life balanced in the meantime.

I really enjoyed this book and eagerly devoured its contents. It will definitely be one I'll want to leaf through quite often for tips and suggestions. Card really knows what he's talking about and is able to share it in a way that is relatable and in no way overbearing.

Any author/aspiring author who even has the slightest inclination toward science fiction and fantasy should consider reading this book. It was very informative and incredibly useful. I learned so much more than I could have expected.

Rating: ♥ ♥ ♥ ♥

The novelty and freshness you'll bring to the field won't come from the new ideas you think up. Truly new ideas are rare, and usually turn out to be variations on old themes anyway. No, your freshness will come from the way you think, from the person you are, it will inevitably show up in your writing, provided you don't mask it with heavy-handed formulas or clichés.